Papers on research concerning or related to Jamoma

• Y. de Quay, S. Skogstad & A. Jensenius (2011): Dance jockey: Performing electronic music by dancing. Leonardo Music Journal, pages 11–12
• Y. de Quay (2011): Interactive Music 2.0: User‐driven ad hoc dance clubs. Short Term Scientific Mission Report COST IC0601
• T. De La Hogue, J. Rabin & L. Garnier (2011): Jamoma Modular: Une librairie C++ dédiée au developpement d’applications modulaires pour la création. Journées d'Informatique Musicale. Saint-Etienne, France. [English paper version]
• J. Allison (2011): Distributed Performance Systems Using HTML5 and Rails. 26th Annual Conference of the Society for Electro-Acoustic Music in the United States. Miami. [Slides]
• N. Peters (2010): Sweet [re]production: Developing sound spatialization tools for musical applications with emphasis on sweet spot and off-center perception. PhD thesis, McGill University, Montreal, Canada.
• T. Place, T. Lossius & N. Peters (2010): The Jamoma Audio Graph Layer. Proceedings of The 13th International Conference on Digital Audio Effects. 6-10 September 2010, Graz. [poster]
• T. Place, T. Lossius & N. Peters (2010): A flexible and dynamic c++ framework and library for digital audio signal processing. Proceedings of the International Computer Music Conference, 1-5 June 2010, New York.
• P. Baltazar & B. Habbestad: Unruhige Räume - Spatial electroacoustic composition as a collaborative artistic research process. Proceedings of the International Computer Music Conference, 1-5 June 2010, New York.
• Pritchard, A. / R. Sletteland (2009): Don't touch me, you don't know where I've been. A performance, installation and publication / Commisioning a piece of music. Remarks on Alwynne Pritchard's Don't touch me, you don't know where I've been (performance version). Sensuous knowledge series, vol. 7, Bergen National Academy of the Arts.
• Jensenius, A. R (2009): Motion capture studies of action-sound couplings in sonic interaction. STSM COST Action SID report. fourMs lab, University of Oslo.
• Lossius T., P. Baltazar & T. de la Hogue (2009): DBAP - Distance-Based Amplitude Panning. Proceedings of the International Computer Music Conference, 17-21 August 2009, Montreal.
• Peters N., T. Lossius, J. Schacher, P. Baltazar, C. Bascou & T. Place (2009): A stratified approach for sound spatialization. Proceedings of The 6th Sound and Music Computing Conference, 23-25 July 2009, Porto. [poster]
• T. Place, T. Lossius, A. R. Jensenius & N. Peters (2008): Flexible control of composite parameters in Max/MSP. Proceedings of the International Computer Music Conference, 24-29 August 2008, Belfast.
• N. Peters, T. Matthews, J. Braasch & S. McAdams (2008): Spatial sound rendering in Max/MSP with ViMiC. Proceedings of the International Computer Music Conference, 24-29 August 2008, Belfast.
• Lossius, T. (2008): Controlling spatial sound within an installation art context. Proceedings of the International Computer Music Conference, 24-29 August 2008, Belfast.
• Jensenius, A. R., K. Nymoen and R. I. Godoy (2008): A Multilayered GDIF-Based Setup for Studying Coarticulation in the Movements of Musicians. Proceedings of the International Computer Music Conference, 24-29 August 2008, Belfast.
• Godoy, R. I., Jensenius, A. R. and K. Nymoen (2008): Production and perception of goal-points and coarticulations in music. Acoustics '08, 29 June- 4 July 2008, Paris.
• Place T., T. Lossius, A. R. Jensenius, N. Peters & P. Baltazar (2008): Addressing Classes by Differentiating Values and Properties in OSC. In Proceeding of the New Instruments for Musical Expression Conference NIME, 2008, Genova. [poster]
• Nymoen, K. (2008): SID Short Term Scientific Mission from University of Oslo to McGill University Montreal (Canada); 2/3/2008 - 29/3/2008
• N. Peters, S. Ferguson, S. McAdams (2007): Towards a Spatial Sound Description Interchange Format (SpatDIF). Canadian Acoustic, Vol. 35:3, pp. 64-65.
• N. Peters, M. Evans & E. Britton (2007): Trakhue Intuitive gestural control of live electronics. Proceedings of the International Computer Music Conference, 27-31 August 2007, Copenhagen.
• Jensenius, A. R. (2007). Action - Sound: Developing Methods and Tools to Study Music-related Body Movement. PhD thesis. Department of Musicology. University of Oslo, Norway.
• Lossius, T. (2007). Sound - Space - Body. Reflections on Artistic Practice. Submitted in partial fulfillment for Research Fellowship in the Arts. Bergen National Academy of the Arts
• Place, T. & T. Lossius (2006): Jamoma: A modular standard for structuring patches in Max. In Proceedings of the International Computer Music Conference 2006. New Orleans, USA: International Computer Music Association.